The Valkyearies had been the daughters of Odin, chief god of the Norse pantheon. They escorted the spirits of the bravest slain warriors, the einherjar, to Valhalla, Odin’s nice corridor. The title Valkyearie means choosers of the slain.
The einherjar had been taken to Valhalla to put together for the ﬁnal battle, known as Ragnarok. This battle would mark the tip of the gods and alter the destiny of the whole lot.
The Valkyearies’ names had been Brynhild, Göll, Göndul, Gudr, Gunn, Herfjoturr, Hildr, Hladgunnr, Hlokk, Hrist, Sigrdrifa, Sigrún, and Svafa. They had been portrayed as stunning younger girls armed with helmets and spears, they usually rode winged horses.
The Valkyearies additionally typically acted as Odin’s messengers. According to the parable, once they rode forth on their errands, their shiny, glinting armor precipitated the unusual lights of the aurora borealis.
Some students have speculated that initially the Valkyearies had been priestesses. These weren't stunning younger maidens in armor however previous girls who chosen victims for human sacriﬁce. But the picture of lovely girls taking the courageous warriors up to Valhalla changed this much less nice picture.
The nineteenth-century German composer Richard Wagner included the Valkyearies in his operatic work Der Ring des Nibelungen (The Ring of the Nibelung; 1869–1876), generally generally known as “The Ring Cycle,” which relies on Norse mythology. One of essentially the most acquainted melodies from that work is the orchestral overture, generally generally known as “Ride of the Valkyearies.”